Wednesday, 22 November 2017

Patong beach, Phuket

"The flow of water and paint can be uncontrollable and crazy, but it is also freedom, an escape, a therapy, joy, and, oh yes, very sensuous!" Angela Lynch

The above quote says it all. Water colour medium is challenging and the outcome so unpredictable. Yet you cannot help but fall in love with it.

Today's water colour painting is a scene from Patong beach, Phuket. This beach was right across our hotel and at around ten in the morning, the water level had receded a bit, which made the distant rocks and trees clearly visible. I have used a mix of Camlin and Winsor and Newton paints to create this artwork.

An original water colour painting of Patong beach, at Phuket on Fabriano water colour paper. By Manju Panchal

At Patong beach, Phuket
A water colour painting on Fabriano paper
Size 7" X 9"

Painting a beach scene such as above gives me the opportunity to try out many different elements such as the water, the sky, the rocks, the foliage and reflections. 

Thank you for visiting my blog and browsing through my paintings.

Tuesday, 14 November 2017

Sunset at the beach - A watercolour painting

"Watercolour is probably the most satisfying of all mediums. Although difficult in the beginning, after practice its mysteries will unfold, providing the utmost pleasure for the dedicated." Robert Lovett

Painting a sunset scene has been on my mind since long, therefore I decided to create one on handmade paper. I chose handmade paper since it stays wet for long and I can keep dropping in colours which blend smoothly into the background. If the paper does not have water holding capacity then I it starts drying up quickly and that leads to some unwanted hard edges.

The sky in this particular painting has a mix of warm and cool colours, so I mixed up enough colour in the palette before beginning the painting. In water colour painting, I have realised that I need to have a definite plan in my head regarding the steps that I am going to follow or else the painting gets ruined. For the sea weeds I picked up dry paint from the palette and used my coarse flat brush sideways and to create the tall grass blades I have made use of a rigger brush. It was fun creating this work using Camlin Artists water colour tubes.

A water colour painting of sunset at the beach. By Manju Panchal

Sunset at the beach
Created on handmade paper
Size 5"X 7"

Hand made paper is great, however it is important to know if it is acid free or else over a period of years the paper colour turns a pale yellow. I have some old papers in my collection and since they are not acid free I use them for my study works. The paper that I have used for my above work seems to be acid free and I have purchased it from Himalaya Stationery at Fort.

To know more about my upcoming Art Workshops CLICK HERE and thank you for visiting my BLOG.

Sunday, 12 November 2017

Pastel painting on Fabriano Tiziano paper

"Sometimes you got to create what you want to be a part of." Geri Weitzman

The above quote speaks my heart. I stay in a crowded metro city in India and long to be amidst nature. Travelling takes me to places where nature is in its pristine form. Being in nature helps me relate to it better and I feel so connected with the surroundings.

The soft pastel painting as below is a scene that I came across while we were climbing uphill on the mountain slopes at Hee Bermiok in order to get a better view of the snow covered Kanchenjunga mountains. The dense greenery around kept the muddy pathway in shadows. It was a cold and breezy day and the I was attracted to the distant light in the composition. It seemed to add a little warmth in the atmosphere.

A soft pastel painting of a landscape as seen at West Sikkim.A painting by Manju Panchal

Distant light
A soft pastel painting on Fabriano Tiziano paper.
Size 6.5" X 8.5"

For most of my pastel works I use the Mungyo pastels in the beginning to block in the major shapes and later I use the Koh-I-Noor and Gallery pastels. During my final touch up I make use of my recently purchased Sennelier pastels.  

I have selected a black coloured Fabriano Tiziano paper for my present painting. The colours come out very vibrant on a dark coloured paper, however the disadvantage is that it gets difficult to cover up the black at areas where you want subtle shades. Too much smudging dulls the colours. Therefore for my next work I have decided to go with the mid tone paper. CLICK HERE , if you wish to know about the papers I use for my soft pastel paintings.

Thanks for visiting my blog and browsing through my artworks. My blog has crossed 75,000 page views and I am grateful to all the people who have been constantly supporting me in my art journey. It encourages and motivates me to continue painting and to share my ideas, thoughts and techniques with everyone.

Friday, 10 November 2017

Johnathan Harris - An artist from USA

"Colors speak all languages." Joseph Addison

My today's post is about an artist from USA, Johnathan Harris. I recently came across his stunning vibrant artworks in INSTAGRAM as well as FINE ART AMERICA. The landscape paintings by Johnathan Harris are visually stunning, unique and very inspiring. He has his unique original style and I am fascinated by his landscape interpretations. His color palette has a great appeal and you get naturally drawn towards all his works.

In his Artist's statement Johnathan Harris says" Creating artwork is my passion, a refuge from the modern world, a time for me to reflect and express; an absolute necessity for me to feel complete. I try to give the viewer a window into a perception of a reality in which I find solace. I prefer to focus on Southwestern landscapes and European landscapes not only for the naturally beautiful compositions, the colors and endless inspiration but also because of the effect of the seasonal changes and variations due to light in those magical parts of the world."
( COURTESY: Johnathan Harris )

Posted below are some of the artworks by Johnathan Harris which are my personal favorites and to view all his works you can visit his website 

A painting by Johnathan Harris

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

A landscape painting by Johnathan Harris, an artist from Canada

Through his landscape paintings, Johnathan says, he has tried to capture the sensations and revelations that he experiences when he is in the in the midst of nature. His works are greatly influenced by his love for nature.

I am grateful today for being able to do what I love doing most. ie "Drawing and Painting". I am also grateful to interact with other artists around the world whose works inspire and motivate me to continue my passion. Having a blog is helping me to share the works of artists whose works I admire and I am looking forward to creating more of such posts.

Thank you for visiting my blog and I hope you too have enjoyed the beautiful works by Johnathan Harris. 

Wednesday, 8 November 2017

Portrait drawing

"To draw, you must close your eyes and sing." Pablo Picasso

Quotes are beautiful. I find them very inspiring. No matter how passionate or self motivated, there are days when nothing seems to work. Quotes speak the right words at these moments.  

My today's post is a portrait drawing of a beautiful old woman with great features. I met her in Hee Bermiok, Sikkim while I was holidaying there in a traditional homestay high up in the mountains. She came up to our homestay, climbing all by herself and her agility, enthusiasm and bubbly nature inspired me. I had the pleasure of interacting with her and I got to know a lot about her way of life. It is so peaceful out there and I consider her fortunate to be able to enjoy pristine nature.

I have already created a side profile drawing  of this beautiful woman and posted it earlier in August. This time I decided to sketch her front face in order to capture her expression, emotions and feelings. Her curled up scarf over her head, which left a few braided hangings accentuated her looks. I also loved her traditionally designed nose ring which I found was pretty unique. 

A portrait drawing of an old woman on Strathmore gray toned paper By Manju Panchal

In Quiet Moments
Charcoal and white pastel pencil drawing on
Strathmore gray toned paper.
Size 5" X 7"

As an artist I love doing both "Landscapes" as well as "Portraits". Portrait drawing takes much longer time than a landscape painting. Therefore I do it in stages by taking frequent breaks. The portrait such as above took me about a week to complete but once completed, it gives me immense satisfaction. The feeling cannot be described in words. It motivates me further to create more works such as these. 

Thank you for browsing through my artworks. 
To know about my upcoming workshops CLICK HERE.

Sunday, 5 November 2017

Painting a forest scene in soft pastel medium

"The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth." Ezra Pound ( Courtesy: )

The paper that I use most often for my soft pastel works is "Canson Mi Teintes" which fortunately comes in assorted colours. This works as an advantage because choosing the right colour for the subject makes a lot of difference. To know more about the different shades and its specific names you can visit the site DICKBLICK. I normally use Twilight, Tobacco, Sand and Moonstone but I am open to experimenting and exploring with the other colours as well.

For my today's soft pastel painting I decided to go with black Canson MT paper as I wanted the foreground and part of the middle ground to be dark and in shadows. This is a beautiful scene from Karnala Bird Sanctuary and I love this place as I get to walk through different muddy pathways. It is densely populated with trees and in the morning hours I get the perfect light and shadow scenes. 

I have titled this painting "A walk through the shadows" as it reminds me of those beautiful moments in the tranquil nature. 

A soft pastel painting of a forest landscape by Indian artist Manju Panchal

A walk through the shadows
A soft pastel painting on Canson MT paper
Size 5"X 7"

The soft pastel painting as above progressed in stages and the images can be seen as below. The broken pastels that can be seen around are from Mungyo, Gallery, Camlin and Koh-I-Noor. I also have a set of 24 dark Sennelier pastels which I use towards the end as they are very very soft.

Step by step, a soft pastel painting of a landscape

Step 1. Creating the basic outline of the main elements
using white soft pastel pencil and blocking in the colours
of the winding pathway and the distant foliage.

Step by step, a soft pastel painting of a landscape

Step 2. Blocking in the major shapes with respective colours
keeping in mind the source of light and atmospheric perspective.

In the final stages, I redo the layering of colours, making changes where ever required. All the detailing happens in the end.

Before I begin any painting, I create small "Thumbnail sketches" or "Tonal value studies" which help me understand the subject well and these little ten minute works enable me to decide on the best composition. Two of the small quick art studies can be seen below. The black and white study has been done using a single Staedtler 8B pencil. I have started using this pencil quite recently and am enjoying it. Both are sized 2" X 3".

Tonal value sketch and study sketch of a forest landscape

Tonal value sketch & Thumbnail sketch
of a landscape.

Thank you all for visiting my blog. If you are into soft pastel medium I would love to know about the papers you use. Do leave in a comment. Browse through my other artworks on my INSTAGRAM page.

Thursday, 2 November 2017

A Cloudy sky

"You don't make art. You find it." Pablo Picasso

On my recent visit to Malshej Ghats, I came across some dramatic skies. Being monsoon season the weather was a bit dull and there was not enough light to capture the scene well in the camera. At such times I have to observe and store the information in my memory so that I can retrieve the information at a later time when I actually get down to painting the scene.

The soft pastel painting below is one such scene from Malshej Ghats that made an impact on me and I wanted to create a study work of the same. I call it "Study work" as I have not painted many "Cloudy Landscapes" in the past and am yet to get a full understanding of the shapes, perspective and the colours in the clouds. When handling a new subject, it is more of experimenting and exploring which in turn slowly leads to a great learning experience.

Apart from the dense scattered clouds,what I also loved about this scene in particular is the diffused light that filtered through the clouds and illuminated the water covered fields below.

A soft pastel study work of a cloudy landscape from Malshej Ghats in Maharashtra.

The Cloudy sky ( A study work )
A soft pastel painting on Canson MT paper
Size 5"X 7"

Painting clouds is new to me and I find it very challenging. I remember as kids when we drew a landscape, there always used to be a few common elements in it namely mountains in the distance, a small house, a river and fields. The sky was almost similarly drawn by everyone in a beautiful uniform blue and few fluffy white clouds floating around. Those drawing days were fun. 

Now when I look at the clouds closely I realise that there are so many different colours in each cloud other than gray and blue. I am planning to do a little more deep study of this interesting element. In fact it is more like doing "Cloud Anatomy".

Thanks for visiting my blog and browsing through my works. 

Saturday, 28 October 2017

The Morning shadows - A soft pastel painting

"The beautiful is in nature, and it is encountered under the most diverse forms of reality. Once it is found it belongs to art, or rather to the artist who discovers it." Gustave Courbet

I love to paint both landscapes and portraits. In fact what unifies every subject is light. The light that falls on the different elements in the subject defines its form and shape and helps reveal its colours. Pastels are a vibrant and ideal medium to capture this light and shadow effect in paintings.

Today's post is a soft pastel painting of a scene that I came across while I was at Karnala Bird Sanctuary recently. It was about ten in the morning and the shadows of the tall trees fell across the road creating interesting patterns. There is so much beauty that lies hidden in the nature and as an artist we try to capture it on to the paper using our vision and interpretation.

To know about the pastel palette that I use, CLICK HERE.

Soft pastel painting of a scene from Karnala Bird Sanctuary

The Morning Shadows
Soft Pastel painting on Canson MT paper
Size 5" X 7"

The initial steps involved in creating the above painting are as follows. I have used a beige coloured Canson paper for this artwork. Canson MT comes in many different colours which is a big advantage to the artist. In this painting a major part of the composition was sky, hence I wanted to use a light toned paper as the base.

Step by step soft pastel painting

Step 1. After drawing a faint outline keeping the one third rule of composition, 
I blocked in the major shapes. At this stage I only look at simplifying the 
shapes and adding the colours as per value study.

Step by step soft pastel painting

Step 2. I add another layer of colours, laying emphasis on the dark tones, mid tones and the
highlights. At this moment, I pay attention to linear and atmospheric perspective
creating depth. I work on the shadows, the tree trunks and foliage.

In the final step I added a few necessary details like branches, sunlit foliage etc in the middle ground. At this stage I make use of my Koh-I-Noor soft pastel pencils. At some point of time I decide to call it quits to avoid overworking on the artwork.

Thanks for browsing through my artworks.Visit my INSTAGRAM page to view my works in other mediums as well. 

Wednesday, 25 October 2017

From photograph to charcoal drawing

"While drawing, I discover what I really want to say."Dario Fo

As an artist I am always looking for meaningful quotes as they speak my thoughts and keep me inspired. The above quote holds true, I guess for most of us. It is through our art that we slowly discover what we are trying to convey to the viewers. 

Malshej Ghat is a mountain pass in the Western Ghats range in the Thane-Pune district of Maharashtra, India.The site is nestled in the lofty rugged hills of the Western Ghats. The road journey to this place will take you through winding roads, lush greenery on either sides, thick dense fog and countless number of waterfalls touching the highway. 

We visited this place in the monsoon season this year and I found some perfect subjects that I was looking to paint.. My today's post is a charcoal drawing of one such scene from Malshej Ghats wherein the majestic mountain slopes can be seen fading off in the distance. This drawing was not planned but while browsing through my stationery I came across a white sheet of Canson Mi Teintes which initiated the idea of experimenting with this paper out for my charcoal drawing?. 

I love to experiment with new papers all the time. I have created a post regarding the "Papers I use for my charcoal drawings". After using Canson Mi Teintes, I am quite convinced that it will be an added paper in my list for charcoal drawings. It has this beautiful sanded smooth surface ( which I also use for my pastel drawings ) which takes on the charcoal pretty well.

Sometimes it takes just one drawing to come to a conclusion and there are times when you want to check a paper/paint again and again and you are not really sure if it is going to work for you. 

Charcoal drawing and sketching of a scene from Malshej Ghat, Maharashtra by Manju Panchal

Monsoon at Malshej Ghats
Charcoal drawing on Canson MT paper.
Size 5.5" X 7"

Initial stage of a charcoal drawing, a scene from Malshej ghat

Initial stage of charcoal drawing

The above image shows the initial stages of the charcoal drawing wherein I have "Blocked In" the different elements in the scene, namely the sky, the mountains slopes etc using charcoal powder and my other blending tools.  The distant mountain slopes are kept light and without any details to create atmospheric depth.

In the subsequent layers I use the pencils and the kneaded eraser to create the highlights and shadows

A monsoon scene from Malshej Ghat, Maharashtra

The photograph from Malshej Ghats
which inspired me to create the charcoal
drawing such as above.

While on location, I try and take a few different photographs with different compositions and later after a little editing I use the image that looks good to to be converted into a painting. I also do a few quick "Thumbnail sketches" using my charcoal pencil and sketch book to roughly block in the value scale in the scene. It always helps. 

Thanks for browsing through my blog and do leave in your comments.

Sunday, 22 October 2017

Watercolour Artist - Sadhu Aliyur

"In art, the hand can never execute anything higher than the heart can imagine." 
Ralph Waldo Emerson

Instagram is new to me and I have started posting my works on this social media quite recently. Blogging is about my art journey wherein I share my art, my techniques, my experiments and my general thoughts and feelings about creating my art. Instagram on the other hand is a faster way of uploading my work and most important, all my works can be seen in a gallery format. In conclusion, as an artist, I am enjoying being a part of Instagram.

Through Instagram I am getting to meet many different artists from India as well as all around the world. Some of them have inspired me in a lot many ways and I have decided to create a post about each one of them. Today I am posting about a great water colour artist Mr Sadhu Aliyur.

Mr Sadhu Aliyur is a Kerala based water colour artist. His finely honed skills, astute observation and refined aesthetic sensibilities help him capture the essence of a scene in a few strokes. He makes the common look uncommon. He transforms the ordinary into the extraordinary.

In his hands, nature comes alive in all its richness, textures, hues and forms. With a wash here and a dab there, the overwhelming beauty of the monsoon, skies and rain drenched dwellings are frozen for all time for the eyes of the connoisseur. Read more about him.....CLICK HERE.

All works created by Mr Sadhu Aliyur are absolutely vibrant and stunning. His thoughts, feelings, conviction, and many moods seem to come alive with bare minimal strokes. The simple landscape scenes capture the mood and atmosphere so well. I have been following his works for quite some time now and decided to share some of them with you.

Check out his other works on his official website.

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

A water colour painting by Sadhu Aliyur

Each and every painting by Mr Sadhu Aliyur is so unique in itself, be it a still life, portrait or landscape, that you can't help but fall in love with it. 

Thanks for browsing through my blog and I look forward to reading your comments.

Thursday, 19 October 2017

Step by step, a soft pastel painting of a landscape from Bharatpur, Rajasthan

"Colour is the pulse of the painting." Michele Cooper

Keoladeo Ghana National park formerly known as Bharatpur Bird Sanctuary is in Bharatpur, Rajasthan. One third of the park is wetland systems with varying types of microhabitats having trees, mounds, dykes and open water with or without submerged or emergent plants. The uplands have grasslands ( Savannas ) of tall species of grass together with scattered trees and shrubs present in varying density. ( COURTESY: WIKIPEDIA )

We were there some years back in the month of November. The pastel painting as below is of a morning scene at this Sanctuary. We were in the boat with a guide who was rowing the boat at a very gentle pace so as to avoid disturbing the nesting birds. The morning sun rays lit up the tall dry grass blades and the scene came up so live and vibrant with colours. The warm colours of the sunlit grass was such a contrast to the cool colours of the shadows in the surroundings.

I enjoyed creating this pastel painting and used Mungyo, Koh-I-Noor and Sennelier pastels for the same. To know about the papers that I use for my soft pastel paintings you can CLICK HERE.

A soft pastel painting of a scene from Bharatpur Bird Sanctuary, Rajasthan by Manju Panchal

The Morning Glow
Soft pastel painting on Canson MT paper
Size 6"X 8"

The soft pastel painting "The Morning Glow"progressed in stages. I am posting two images below.

Step 1 A soft pastel painting of a scene from Bharatpur Bird Sanctuary, Rajasthan

Step 1. Keeping the composition in mind, I drew a faint outline
and then blocked in the major shapes using the underlying 
dark colours keeping in mind the values.
( The sky and water were painted in similar colours )

Step 2 A soft pastel painting of a scene from Bharatpur Bird Sanctuary, Rajasthan

Step 2. Started the second layer of colours, adding details and
strokes to suggest foliage, grass etc.Smudging only
if required, else I just leave original pastel strokes.

Step 3. In the final stage of the pastel painting, I add the finishing touches ie adding the glow to the tips of the grass, creating few branches in the tree using pastel pencils, few grasses on the lake along with its reflection.

I purchased a few Koh-I-Noor individual pastel pencils from ART LOUNGE while it was running its annual sale earlier this year. 
Koh-I-Noor soft pastel pencils

My collection of pastel pencils

Before attempting this scene in soft pastels, I did a small study work of the same using willow charcoal and charcoal pencil. To view the value study CLICK HERE. Creating a tonal value study work always helps in a better understanding of the subject that I am going to paint in the coloured medium.

I hope you have enjoyed browsing through my blog. Thanks for taking out your precious time and visiting here. Your comments are welcome.

Monday, 16 October 2017

Step by Step, Water colour painting of Gurudongmar Lake

"I begin with an idea and then it becomes something else." Pablo Picasso

Every painting is inspired by some thought, some place, some vision that you have in mind. It slowly builds up in layers and then when the final moment of execution arrives, you let the energy flow on to the paper. Gurudongmar Lake in North Sikkim is one such place which is indelibly printed in my memory and it will continue to inspire me to make many paintings in future.

The moments we spent there were magical. It was like a dream come true to see nature in its pristine form. Today's post is a water colour painting of one such scene that we came across while we were at 17,100 ft, facing the majestic snow covered mountains and the stunning Gurudongmar Lake.

A water colour painting of Gurudongmar Lake in North Sikkim

Water colour painting on Campap paper
Size 5.5" X 8"

For this particular work, I decided to photograph the initial stages of the painting. I have used a very limited palette for this painting. The initial drawing that I do is very light and I use a normal HB pencil for the same. I avoid erasing as it disturbs the surface fibres on the paper.

Step by step water colour painting of Gurudongmar Lake

Step 1. Wet on wet technique, sky and mountains, 
using Winsor and Newton Ultramarine blue, Cerulean blue
 and Alizarin Crimson.

Step by step water colour painting of Gurudongmar Lake

Step 2.  Created the mountains in the Middleground using Raw Sienna,
Ultramarine blue, Indian red and Burnt Sienna ( Camlin brand )

In the final stage I created the lake waters, which are reflection of colours of the sky ie Ultramarine blue and Cerulean blue. For the shadows on the snow I have used a mix of Ultramarine Blue and Alizarin Crimson colour.

Hope you have enjoyed going through my blog. It feels great to be painting and blogging and thanks to my blog, I am getting connected with people who are as passionate about art as me. If you love water colour medium, do browse through the works of Joseph Zbukvik, Alvaro Castagnet and Keiko Tanabe to name a few. All these world famous master water colorists have a style of their own and it is a pleasure watching their works.

Thanks for visiting my blog.

Friday, 13 October 2017

Soft pastel painting

"In nature, light creates the colour. In painting, colour creates the light."Hans Hoffman

Pastels is a vibrant dry medium and I got into using it a few years back. I started with Camlin and Mungyo and then went on to purchase Koh-I-Noor and Gallery too. My latest brand in pastel collection is Sennelier which is very very expensive, however it is very soft and creamy and has deep rich colours. I have not used it much but plan to do so soon as the last and final layer on my paintings.

My today's post is an old work, a scene .from Mahabaleshwar which I created a some time back. Evaluating older paintings has become a norm and I always find a few mistakes here and there. So I touched up this painting with Sennelier pastels and was satisfied with the final results. 

Subjects such as these ie "Forest scenes" with winding pathways appeal to me a lot. I also get inspired by the sunlight that perforates through the foliage to lighten up the pathway at places. The light that falls on all the elements of the nature defines the form and shape and with every painting that we do we learn to see and observe.  

A soft pastel painting of a landscape by Manju Panchal

Light at the distance
A soft pastel painting on Canson MT paper
Size 8"X 12"

The greens in the landscape are always the biggest challenge and it continues to intimidate me. This colour along with blue is so predominant that it can be a mystery which gets tricky to solve. The only solution I find is to continue painting, have a keen observation and with time and experience it all gets better. 

I created a post on "The papers I use for my soft pastel artworks" in May, 2016 wherein I have written in detail about my experience with different papers before shortlisting the ones that I use today.  

Thank you for visiting my blog and CLICK HERE to browse through my gallery of paintings in other mediums as well. 

Tuesday, 10 October 2017

Pangong lake, Ladakh

"The Earth does not belong to us: we belong to the Earth." Marlee Matlin

That's a meaningful quote which reminds us to take care of the beautiful natural world around us.  

Pangong lake in Ladakh is a stunning lake surrounded by snow capped mountains. I created a small water colour painting of this lake yesterday on Strathmore water colour paper

To get the beautiful shades of blue in the lake I have used Winsor and Newton cotman colours namely cerulean blue and ultramarine blue. For most of my water colour artworks I am presently using a mix of Camlin and Winsor and Newton, Palette.

Water colour painting of Pangong lake in Ladakh, on Strathmore paper

Pangong Lake, Ladakh
Water colour painting on Strathmore paper
Size 5.5" X  8"

My art is deeply influenced by the beauty of the natural world around us and places such as above continue to inspire me to pursue my art journey. Escaping into the world of art is my idea of meditation. It keeps me busy and happy.

If you wish to attend any of my art workshops you can write a mail to me and I shall get back to you as soon as possible. Thanks for visiting my blog and please take a moment to leave a comment.

CLICK HERE to browse through my available paintings.